Nine Country Music Songs You Need To Hear This Week Featuring Old Dominion, Mackenzie Carpenter Feat Midland, Kameron Marlowe & More

Old Dominion - Making Good Time

Old Dominion has a knack for crafting nostalgia-soaked anthems, and "Making Good Time" is no exception. Kicking off 2025 with a fresh yet familiar energy, the band seamlessly blends their signature feel-good melodies with a refined sonic depth that elevates this track to an instant classic. The song’s intoxicating chorus makes it a surefire setlist favorite, perfect for long drives with the windows down or a summer night under festival lights. The track captures the essence of youthful love and the bittersweet nature of looking back. The imagery is vivid—Chevrolets, dashboard nights, and ink-faded tattoos—all serving as anchors to a past that still lingers in the rearview mirror. Matthew Ramsey’s smooth, emotive delivery makes every line feel personal, pulling listeners into the story of two young lovers who never really fit the mold of their “slow down town.” One of the song’s standout strengths is its relatability. The chorus asks a simple yet loaded question: When you're drinking too much, do you think about us? It’s a line that hits home for anyone who’s ever caught themselves reminiscing over a love that once burned bright. As Old Dominion continues to evolve, "Making Good Time" proves that their ability to tell heartfelt, lived-in stories is stronger than ever. It’s a song that celebrates the thrill of the moment while embracing the inevitable ache of time passing. Whether you’re living in the now or looking back on a love that once was, this track reminds us all of the beauty in the journey.

Kameron Marlowe- How’s The Leaving Going

Take three minutes and seventeen seconds out of your day to experience one of the most stunning country songs of the decade. With “How’s the Leaving Going,” Kameron Marlowe strips everything down to the rawest form of heartbreak, letting his vocals cut through the silence like a knife. There’s no need for big instrumentation—just Marlowe’s aching delivery and the kind of storytelling that lingers long after the last note fades. A standout track from his upcoming album Sad Songs for the Soul, “How’s the Leaving Going” carries the unmistakable influence of country legend Vince Gill, who co-wrote the song alongside Marlowe and Lee Thomas Miller. That influence is felt in every aching lyric, every bend of the melody, and every ounce of vulnerability woven into the song’s fabric. It’s the kind of classic, tear-in-your-beer country that feels both nostalgic and fresh—a testament to Marlowe’s ability to bridge generations with his artistry. The lyrics read like a late-night confession, drenched in whiskey and regret. Lines like “Did you ever find yourself / Or just move on with someone else” capture the lingering pain of a love that didn’t just end—it evaporated, leaving behind only questions and what-ifs. Marlowe’s voice carries the weight of every syllable, making you feel every ounce of that heartache. It’s a song that doesn’t try to dress up pain with metaphors or overproduction. Instead, it leans into the simplicity of raw emotion, much like the greats before him—Merle, George, and of course, Gill himself. And that’s what makes it special. With Sad Songs for the Soul, Marlowe is proving that real country music is alive and well. If “How’s the Leaving Going” is any indication, this album is set to be a defining moment in his career. So pour yourself a glass, turn the volume up, and let this one sink in—it’s a song worth feeling.

 Mackenzie Carpenter – "I Wish You Would (ft. Midland)

Mackenzie Carpenter and Midland deliver pure country charm on their new duet, "I Wish You Would", a flirtatious, honky-tonk-infused track that captures the thrill of a budding romance. The song transports listeners to a neon-lit dive bar where two strangers trade lingering glances and unspoken desires. From the moment Carpenter’s honeyed vocals intertwine with Mark Wystrach’s signature smooth baritone, it’s clear this is a match made in country music heaven. The song leans into the tension of a "will-they-won’t-they" moment, as the protagonists wrestle with their attraction, hoping the other makes the first move. Carpenter, who co-wrote the track with Jonathan Hutcherson, Jamie Moore, and Chris Tompkins, effortlessly brings a youthful energy to the narrative, while Midland injects their signature retro-cool style, creating a duet that feels both modern and timeless. The track is steeped in classic country elements, from the twang of pedal steel to the steady, heart-thumping rhythm that mirrors the excitement of newfound chemistry. The track recalls the golden era of country duets, drawing comparisons to Conway & Loretta or Tim & Faith—pairings that thrived on vocal interplay and undeniable on-stage chemistry. Carpenter’s bright, expressive delivery plays perfectly off Wystrach’s rich, velvety tone, making the duet both dynamic and effortlessly smooth. For Carpenter, this song marks an exciting new chapter, proving she can hold her own alongside one of country music’s most beloved trios. For Midland, it’s another testament to their ability to seamlessly blend traditional influences with contemporary flair. "I Wish You Would" is not just a fun, toe-tapping tune—it’s a statement piece for both artists, showcasing their ability to craft a story that resonates with fans of all generations. As 2025 kicks off, this track is bound to become a standout moment for Carpenter, Midland, and country music lovers everywhere. The song is a knockout.

Gavin Adcock - Need To

Gavin Adcock has been making waves in country music with his unapologetic authenticity and undeniable storytelling, and his latest single, "Need To", only adds to his rising momentum. Known for his rough-and-rowdy persona, Adcock takes a step back on this track, proving his dynamic range as an artist and allowing his vocals to shine in a way that feels both vulnerable and powerful. From the opening lines, the song paints a vivid picture of reflection and release. The imagery of sitting in "momma’s kitchen," confronting emotions, and seeking wisdom from an unexpected source sets the stage for a journey that many listeners will find deeply relatable. The song’s chorus, with its recurring line "Sometimes just one drink won’t do / Sometimes you need to," speaks to the universal feeling of needing a moment to escape, to process, or to simply let go. What makes the song truly stand out is its balance of modern and classic country elements. The melody is undeniably funky, laced with a contemporary groove that feels fresh while still rooted in tradition. Adcock's vocal delivery is hypnotic, carrying the weight of the lyrics with a raw honesty that lingers long after the song fades out. As country music continues to evolve, artists like Gavin Adcock remind us why the genre remains so compelling—because it speaks to life’s highs and lows with a rawness that resonates. "Need To" is more than just another drinking song; it’s an anthem for those who have felt the weight of the world pressing down and have found their own ways to make it through. With this release, Adcock solidifies his place as a force to be reckoned with in modern country music. If "Need To" is any indication of what’s to come, fans have every reason to be excited for what he has in store next.

Adam Chaffins - Trailer Trash 

Adam Chaffins is no stranger to storytelling, but with "Trailer Trash," the title track of his upcoming EP, he delivers a soulful Appalachian odyssey that hits deep. The song serves as both a personal reflection and a modern retelling of Romeo and Juliet, all set against the backdrop of an East Kentucky doublewide. Chaffins’ unique, honeyed vocals pull the listener into a world where love transcends class and expectation, offering a ballad that is as heartfelt as it is captivating. From the very first lines, Chaffins reclaims the phrase "trailer trash," stripping it of its negative connotation and replacing it with something meaningful—a heart of gold that beats beneath the doublewide siding. The lyrics are direct yet poetic, speaking to the resilience and depth of a love that refuses to be defined by circumstances. When he sings, “Would your daddy say / If I came to pick you up this Saturday / Would he just take one quick look my way / And tell you girl that boy’s all wrong,” the weight of class division is palpable. Yet, in Chaffins’ hands, it’s not a burden but a challenge—one met with a sincerity that’s impossible to ignore. "Trailer Trash" blends Appalachian roots with a smooth, easy-listening quality that Chaffins has mastered. The instrumentation is understated but intentional, allowing his voice and lyrics to shine. With "Trailer Trash," Adam Chaffins proves once again that he is a master of emotive storytelling, seamlessly blending his Appalachian roots with a fresh, contemporary perspective. It’s a song that feels deeply personal yet universally relatable, an anthem for anyone who has ever felt underestimated. If this track is any indication of what’s to come on the full EP, listeners are in for something truly special.

George Pippin - Rest Of Our Life 

George Pippin’s latest single, "Rest of Our Life", is a heartfelt anthem of devotion, capturing the kind of love that stands the test of time. With vivid storytelling and a melody that lingers long after the song ends, Pippin crafts a country ballad that feels both deeply personal and universally resonant. George paints a picture of romance in its purest form—staring across the room at the one you love and daring to dream of forever. "Rest of Our Life" blends contemporary country with a touch of classic heartland rock, creating a warm, nostalgic atmosphere. The soft strum of acoustic guitar and subtle steel accents set the stage for Pippin’s rich, emotive vocals. As the song builds, so does its intensity—mirroring the rush of excitement and uncertainty that comes with taking a leap of faith in love. Pippin’s craftsmanship shines through in lines like, "I see us up there on them church steps, oh, it’s perfect," and "We’ll raise up some babies and pick some wildflowers." These details ground the song in tangible, lived-in moments, making it easy for listeners to place themselves in the story. There’s a raw sincerity in his delivery, a quiet urgency in the way he pleads, "You might call me crazy, but I know I’ll hate me if I don’t say what’s on my mind." It’s the kind of sentiment that feels pulled straight from the heart. With this release, George Pippin solidifies himself as a masterful storyteller in country music, one who knows how to tug at heartstrings without ever feeling forced. The song is more than just a song; it’s a vow set to music, a melody wrapped around a promise. And as the final chorus swells, it’s clear—this isn’t just about a love song. It’s about the kind of love that lasts.

Kelleigh Bannen & Charles Kelley’s "Nothin On"

Few country duets manage to strike the perfect balance between raw emotion and vocal chemistry quite like "Nothin On", the latest offering from Kelleigh Bannen and Charles Kelley. With a gripping narrative, soaring harmonies, and a heart-wrenching vocal delivery, this song is undoubtedly one of the strongest country duets of the decade.

Check out our review here!

Jordan Davis - In Case You Missed It

Jordan Davis has long been a master of blending heartfelt storytelling with smooth, radio-ready melodies, and his latest release, "In Case You Missed It," is a shining example of that signature style. Written by Davis alongside Jacob Davis, Paul DiGiovanni, and Travis Wood, and produced by DiGiovanni, this track stands as one of his most poignant works to date. From the very first verse, the song sets the stage for a sentimental journey, wrapped in the familiar warmth of Davis’s rich vocal delivery. The lyrics are a perfect mix of small-town imagery and deeply personal reflection, painting a picture of how life moves on—even when the heart doesn’t. The song’s opening lines—They paved that cut through street that I take to your house / Boarded up BP, yeah, it’s a Chevron now—immediately transport the listener to a place of change and reminiscence. It’s the kind of songwriting that makes you feel like you’re flipping through a photo album of your own past. Davis lists off the small, everyday shifts in his hometown—the fixed bridge, the new gas station—before turning inward to reveal that while everything else has moved forward, his heart remains firmly in the past. The melody is as inviting as ever, and the production is crisp without feeling over-polished. DiGiovanni’s touch ensures the song remains intimate yet anthemic, making it a perfect addition to both long drives and late-night contemplation. With "In Case You Missed It," Jordan Davis delivers one of his most compelling performances yet. It’s a song that feels both deeply personal and universally relatable—a reminder that while life may move forward, some pieces of our hearts remain in the past. Whether you’re a longtime fan or new to his music, this is a track that demands to be heard.

Ryan Hurd - Die For It

Ryan Hurd has never been one to shy away from the complexities of love, and in his latest release, "Die For It", he dives deeper than ever into the emotional terrain of a relationship. Co-written with Mark Holman and Randy Montana, the track peels back the layers of affection, commitment, and vulnerability, acknowledging that real love is built not just on passion but on endurance. Hurd’s signature storytelling shines as he delivers a vocal performance that might just be his best to date. With raw conviction, he captures the push and pull of a relationship that exists beyond the honeymoon phase—where love is not just a fleeting feeling but a daily decision. “Die For It” doesn’t romanticize love’s struggles, nor does it shy away from them; instead, it embraces the full spectrum, from euphoria to heartbreak, highlighting the sacrifices and unwavering devotion that come with truly giving yourself to another person. The song marries Hurd’s smooth, evocative vocals with a production that’s both anthemic and intimate. It’s the kind of track that feels just as fitting for a quiet moment of reflection as it does for a stadium singalong. The instrumentation builds with intention, mirroring the intensity of the lyrics and adding weight to the song’s emotional core. If this single is any indication, Hurd is poised to deliver one of his most personal and compelling projects yet. "Die For It" is a testament to his evolution—not just as an artist, but as a storyteller unafraid to explore love in its most honest and contradictory form.