Nine Country Music Songs You Need To Hear This Week Featuring Jon Pardi, Carly Pearce & Jake Worthington

Jon Pardi - She Drives Away

Jon Pardi has always had a knack for blending traditional country elements with modern storytelling, but "She Drives Away" takes his artistry to a new level of emotional depth. The song, written by Zach Abend, Jimi Bell, Seth Ennis, and Jordan Minton, isn't just another tune about heartbreak or backroads—it's a deeply personal ballad that showcases Pardi's evolution, both as an artist and as a father. From the first strum, "She Drives Away" sets a tender, reflective tone, accentuated by Jay Joyce’s masterful production. Pardi’s signature twang is softened here, carrying an undercurrent of wistfulness that makes each lyric land with more weight. It’s a song that tugs at the heartstrings, telling the all-too-relatable story of a father watching his daughter grow up and drive away—both literally and metaphorically—into a world of her own. The storytelling is simple yet powerful. The verses paint vivid snapshots of fleeting moments: tiny hands gripping his fingers, first wobbly steps, and a fearless spirit ready to take on the world. But the chorus is where the gut punch lands. The act of driving away, a motif often associated with reckless youth or lovers leaving, takes on a different meaning entirely—it becomes a symbol of time slipping away, of inevitable change, of the bittersweet pride that comes with letting go. Pardi delivers the lyrics with a raw sincerity that makes it impossible not to feel the weight of the song. His voice carries a mix of pride, longing, and the unspoken ache of every parent who’s ever watched their child spread their wings. The instrumentation remains understated, allowing the lyrics to shine, with soft steel guitar licks and a steady drumbeat that mimics the rhythm of a heart both breaking and swelling with love. "She Drives Away" isn’t just a standout on Pardi’s latest album—it’s a defining moment in his career. It’s a testament to his ability to tap into life’s universal truths and make them feel personal for every listener. As he leans into his new role as a girl dad, this song feels like a love letter to the journey ahead, one that country fans will undoubtedly hold close to their hearts.

Carly Pearce - hummingbird: no rain, no flowers

Carly Pearce has long proven herself as one of country music’s most gifted storytellers, wielding heartbreak like a weapon and transforming pain into poetry. With the release of hummingbird: no rain, no flowers, the expanded version of her acclaimed album hummingbird, Pearce continues her streak of unfiltered vulnerability. Among the five new tracks, "If Looks Could Kill" emerges as a highlight—a haunting, steel-sharpened ballad that reminds us why Carly is one of the most compelling voices in modern country music. "If Looks Could Kill" is the kind of song that doesn’t just tell a story—it places you inside it. From the moment the first verse unfolds, there's a cinematic quality to the heartbreak: the hum of conversation in a crowded room, the chill of an ex-lover’s presence, the forced smile of someone barely keeping it together. The scene is painfully vivid. We aren’t just hearing about heartbreak; we are experiencing it, step by agonizing step. The instrumentation is sparse but intentional, echoing the aching loneliness of the lyrics. A moody, reverb-laden guitar sets the stage, while a subdued drumbeat mimics the slow, suffocating tension of seeing an ex move on. As the chorus swells, so does the weight of the moment, the melody soaring in anguish as Pearce’s signature Kentucky lilt delivers the gut-punching hook: “If looks could kill, I’d be six-feet under.” Few artists can capture the complexities of post-breakup grief the way Pearce can. "If Looks Could Kill" is a masterclass in country storytelling—turning a single, fleeting moment into an entire world of emotion. The chorus, packed with poetic imagery (“pushing up daisies” and “you make moving on look too good”), is as sharp as it is sorrowful, a devastating contradiction between what the narrator feels and what she’s forced to witness. Pearce has never been one for vocal gymnastics, but her ability to deliver gut-wrenching emotion through nuance is unparalleled. While hummingbird: no rain, no flowers offers several new gems, "If Looks Could Kill" stands as the crown jewel. It’s classic Carly—rooted in tradition, yet fresh in its execution. The song encapsulates the agony of unspoken words, of pretending to be okay when your heart is screaming otherwise. It’s a reminder of why country music is at its best when it tells the truth, no matter how painful. For those who have ever sat in the shadows of someone else’s happiness, "If Looks Could Kill" is a song that understands. And Carly Pearce? She’s still the queen of turning heartbreak into gold.

Jake Worthington Feat Marty Stuart - I’m The One

Honky tonk is alive and well, and Jake Worthington is proving it with his latest release, I’m the One, featuring the legendary Marty Stuart. With a blend of classic country instrumentation and undeniable honky tonk swagger, this track solidifies Worthington as one of the genre’s most underrated rising stars. Co-written by Worthington, Stuart, and Jenna LaMaster, I’m the One is a foot-stomping, neon-lit ride through the heart of country music tradition. From the first strum of the guitar, Stuart’s signature sound infuses the track with an authenticity that’s impossible to ignore. His presence not only adds credibility but elevates the song to a level of honky tonk perfection. Lyrically, I’m the One captures the essence of country romance—a man who knows he’s found the right woman and will stop at nothing to make sure she knows it too. The chemistry between Worthington and Stuart is undeniable, and when their voices blend in the chorus, it’s nothing short of country music magic. Their harmonies echo the great duets of the past, reminiscent of classic country storytelling wrapped in steel guitar and twang. What makes I’m the One stand out isn’t just its stellar musicianship—it’s the way it transports listeners straight to a smoky dancehall, where boots shuffle across hardwood floors and every note carries the weight of tradition. Worthington’s commitment to preserving the honky tonk sound while keeping it fresh and engaging is a testament to his artistry. With I’m the One, Jake Worthington isn’t just making a statement—he’s leading a revival. This song is proof that country music’s roots are as strong as ever, and with talents like Worthington and Stuart at the helm, honky tonk is here to stay.

Cody Jinks - Put The Whiskey Down 

Cody Jinks has never been one to shy away from the raw, unfiltered essence of country music. With his latest track, “Put The Whiskey Down,” he doubles down on his signature outlaw spirit while inviting listeners to let loose and embrace the honky-tonk lifestyle. A rollicking, full-throttle anthem packed with electrifying energy, the song is a whiskey-soaked ode to the joy of living in the moment and shaking off life's worries. Written by Jinks alongside acclaimed songwriters Kendall Marvel and Channing Wilson, “Put The Whiskey Down” is a full-bodied, honky-tonk banger that perfectly encapsulates the rowdy, unapologetic heart of country music. From the very first line—“I woke up this mornin' / Almost to my bed”—it’s clear that Jinks is leaning into a well-worn theme: the morning-after reflection on a night of excess. But where some might lament the consequences, Jinks embraces the cycle, fully aware that he’ll be right back at it by sundown. The song’s chorus erupts like a barroom singalong, built on pounding rhythms and classic country instrumentation. “I put the whiskey down / Count me in on the groove / Turn it up, turn it loud boys / Pickin' them country blues”—it’s an irresistible invitation to stomp, sway, and raise a glass to the music that fuels the night. With wailing guitars and a backbeat that refuses to quit, the track captures the rowdy, live-wire energy of a Friday night honky-tonk scene. Jinks pays tribute to the legends that paved the way, nodding to Gary Stewart and the well-worn tradition of country storytellers who chronicled the highs and lows of barroom escapades. “Every honky tonk hero I've ever known / Got a taste for the hard stuff and old Gary Stewart's songs”—it’s a lyric that grounds the track in country’s rich lineage, celebrating the outlaws who came before while staking Jinks’ claim as one of today’s torchbearers of the movement. But what truly makes “Put The Whiskey Down” special is its unwavering commitment to the moment. It’s not about regret or restraint; it’s about going all in, reveling in the music, and refusing to let the night end. Even as the final chorus fades, there’s a palpable sense that the party is far from over—just on pause until the next round. Jinks is at his best here, delivering a track that is both a love letter to country’s rowdy roots and a surefire addition to every dive bar jukebox. “Put The Whiskey Down” is a loud, proud, boot-stomping declaration that country music is alive and well—and that the best nights are the ones spent lost in the music, surrounded by friends, and dancing until the lights come on.

Dylan Marlowe - Picture Perfect 

Dylan Marlowe has never been one to shy away from raw, honest storytelling, but his latest single, Picture Perfect, offers an even deeper glimpse into the heart of one of country music’s most authentic rising stars. Known for his high-energy anthems and unapologetic country grit, Marlowe slows things down with a song that showcases a softer, more sentimental side. Dedicated to his wife, Nat, Picture Perfect is a heartfelt ode to love, dreams, and the life they are building together. Marlowe invites listeners into an intimate moment, as he and his wife take a drive down a dirt road, dreaming about the future. The imagery is vivid—handprints and Bible verses in the concrete of their dream home, a stocked pond, a 4020 tractor in the barn. Every lyric, penned by Marlowe alongside songwriting heavyweights Dallas Davidson, Seth Ennis, and Joe Fox, is steeped in nostalgia and unwavering devotion. The chorus is particularly striking, urging his wife to "close [her] eyes and picture perfect," envisioning the life they’re destined to build together. There’s a tender vulnerability in his voice, a yearning that makes the song feel more like a personal love letter than a radio single. It’s a refreshing shift for Marlowe, who proves that behind his rowdy anthems is a man deeply in love and dedicated to his family. The production is understated yet powerful, letting the lyrics take center stage. Gentle acoustic guitars, a steady drumbeat, and subtle steel guitar swells create a warm and inviting soundscape. The simplicity allows Marlowe’s vocal delivery to shine, balancing strength with sincerity in a way that makes every word feel deeply personal. Picture Perfect is more than just a love song—it’s a blueprint of commitment and faith. Marlowe’s dedication to his wife is evident in every line, and the song resonates with anyone who has ever dreamed of building a life with someone they love. It’s arguably one of his best songs to date, proving that sometimes the quietest moments can leave the loudest impact. With Picture Perfect, Dylan Marlowe reaffirms his place as one of country music’s most promising storytellers. It’s a song that speaks to the soul, reminding us all to close our eyes, dream big, and hold on tight to the ones we love.

Adam Doleac Feat. Thomas Rhett - Bar Named Jesus 

Some songs aim to entertain, some to inspire, and others to heal. "Bar Named Jesus," the powerhouse duet between Adam Doleac and Thomas Rhett, manages to do all three in just under three minutes. Written by Josh Jenkins, Chris LaCorte, and Adam Doleac, and produced by LaCorte and Doleac, this song isn't just another radio hit—it’s a deeply moving narrative wrapped in a melody that feels both fresh and timeless. The song opens like a well-worn story told over a quiet conversation—one that feels lived in, real, and strikingly personal. A father, carrying the weight of past mistakes, reminisces about his daughter as he reveals his struggles with a broken family and the road that led him to sobriety. The lyrics don’t sugarcoat the pain, but rather, they reveal a journey of redemption through beautifully painted imagery: "He had it all but he messed it up, hadn’t had a drink since then. He found a different way to fill his cup." This storytelling approach is where "Bar Named Jesus" truly shines. It doesn’t just tell us about finding faith—it shows us, through the eyes of a man who has been to the bottom and back. The chorus is anthemic in its simplicity and depth: "There’s a bar named Jesus, where the light stays on, and there’s no such thing as too far gone." It’s a stunning metaphor, taking the familiar concept of a bar—a place often associated with escape and excess—and turning it into a symbol of refuge and renewal. The real magic happens when Adam Doleac and Thomas Rhett swap lines and harmonize like old friends sharing a testimony. Doleac’s smooth, honeyed vocals contrast perfectly with Rhett’s slightly grittier timbre, adding weight to every lyric. They trade verses effortlessly, as if they’re sitting side by side at the very place they’re singing about, nodding in understanding of a shared past. In a world where country music often blurs the line between party anthems and soul-searching ballads, Doleac and Rhett remind us that there’s beauty in vulnerability. "Bar Named Jesus" isn’t just a song; it’s a lifeline, a moment of reflection, and a powerful testament to the idea that there’s always room for one more inside. The track at its core is a beautifully crafted, deeply moving duet that stands as one of 2025’s finest country collaborations.

Restless Road - Goin’ Out Like That

Restless Road is back with their most confident and electrifying track to date, Goin’ Out Like That, a modern country anthem tailor-made for the newly single and ready to celebrate. The trio—Garrett Nichols, Zach Beeken, and Colton Pack—trade verses seamlessly, blending their signature harmonies over an infectious, radio-ready beat that is bound to resonate with country fans everywhere. Goin’ Out Like That sets the tone for a night out with no regrets. It’s a song that turns heartbreak into a party, encouraging listeners to raise a glass and move on with a little bit of swagger. The production is crisp, leaning into contemporary country’s pop sensibilities while still holding onto the genre’s core storytelling elements. The soaring chorus is where the magic truly happens—you can hear each member’s voice shine as they come together in perfect harmony, reinforcing the song’s anthemic energy. What sets this track apart is its infectious confidence. Rather than dwelling on lost love, it champions the freedom of moving forward, making it a perfect soundtrack for anyone reclaiming their independence. Restless Road has always excelled in delivering harmonies, but here, they elevate their artistry by balancing vocal interplay with a commanding presence that refuses to be ignored. With Goin’ Out Like That, Restless Road proves they are more than just another country trio—they are a force to be reckoned with. This track is destined to be a go-to jam for summer nights, honky-tonk dance floors, and anyone looking for an anthem to celebrate fresh starts. If this is any indication of what’s to come from the group, country music better take notice—Restless Road is here to stay.

Preston Cooper - Numbers On A Mailbox

In an era where country music often finds itself straddling the line between modern innovation and timeless tradition, Preston Cooper plants his boots firmly in the latter with his latest single, "Numbers On A Mailbox." A song as rich in storytelling as it is in authenticity, the track embodies the very heart of country music: real stories told by real voices. Crafted by the powerhouse songwriting trio of Brett Warren, Brad Warren, and Taylor Phillips, the lyrics unfurl like pages of an old scrapbook, recounting the small, yet significant, details that transform a house into a home. For Cooper, this song isn’t just another release—it’s a deeply personal piece of his own story. Before stepping into the spotlight as one of country music’s most compelling new voices, he was a mailman in Fredericktown, Ohio. That blue-collar work ethic and firsthand experience lend a unique authenticity to his delivery, making every note resonate with a sincerity that can’t be faked. Musically, "Numbers On A Mailbox" is an ode to classic country, wrapped in warm acoustic tones, steel guitar swells, and a rhythm that feels like a slow drive down a dusty backroad. Cooper’s voice—imbued with a midwest twang that’s both distinctive and comforting—rings out like an old friend telling you a story over coffee. It’s the kind of sound that doesn’t just play through the speakers; it sticks with you, lingering long after the last chord fades. With this single, Preston Cooper isn’t just making music—he’s making a statement. In a town brimming with hopefuls chasing trends, he’s carving his own lane by embracing the roots of the genre with honesty and soul. "Numbers On A Mailbox" is proof that sometimes, the most powerful songs aren’t about grand, sweeping narratives, but about the everyday moments that shape who we are. If there’s any doubt about country music’s future, Cooper is here to set the record straight. And with a song like this, his name—just like those numbers on a mailbox—is bound to be remembered.

Brandon Wisham' - Back Together

Some debuts feel like introductions, others like a firm handshake—but Brandon Wisham’s “Back Together” feels like a ghostly whisper in a dimly lit chapel, reverberating through the halls of country music. Clocking in at just under three minutes, this southern gothic heartbreak anthem is a stunning showcase of his raw, unfiltered artistry. It’s not just a song; it’s a confession, a reckoning, and a testament to the kind of storytelling that sets great country artists apart from the good ones. Co-written by Wisham, Brandon Hood, and Gavin Lucas, “Back Together” unfolds like the aftermath of a bad decision—the kind that lingers in the air long after the dust has settled. There are no frills in the production, and that’s exactly what makes this debut so captivating. The instrumentation is stark, leaving room for the song’s aching lyrics and Wisham’s voice to take center stage. And what a voice it is—gritty yet vulnerable, carrying the weight of regret with every note. The opening lines immediately set the tone: “Well I drove that train right offa those rails / Ain’t gotta soul to blame now except myself.” It’s a brutal admission, an acknowledgment of self-inflicted heartache that feels almost biblical in its weight. The chorus, with its plea for divine intervention, elevates the song’s emotional stakes: “Well the Good Lord knows I could use a little help / And only Heaven knows how to get a heart out of hell.” Wisham isn’t just lamenting lost love; he’s grappling with the cost of his own choices, and the result is deeply affecting. There’s an inherent sadness in the imagery—clipped angel wings, burning the past to the ground, and a halo that’s now broken beyond repair. These are the kinds of lyrics that linger, that hit just a little harder on late-night drives or in the quiet of an empty room. “Back Together” doesn’t rely on big, dramatic production to make an impact. Instead, it leans into the power of simplicity, letting the storytelling and vocal delivery do the heavy lifting. It’s a bold move for a debut, and it pays off in spades. By stripping things down, Wisham allows listeners to connect with the song on a deeply personal level. If this first offering is any indication, Brandon Wisham is not here to simply take up space—he’s here to carve out a lane of his own. “Back Together” is haunting, it’s heartfelt, and most importantly, it’s real. And when country music is at its best, that’s exactly what it should be.