Nine Country Music Songs You Need To Hear This Week Featuring John Morgan, Jake Worthington, Whiskey Myers & More

John Morgan - Carolina Blue

In a town where overnight success stories are whispered about but true staying power is earned in sweat and songcraft, John Morgan has wasted no time proving he belongs among country music’s next greats. With the release of his stunning debut album Carolina Blue, the North Carolina native plants his flag firmly in Music Row’s storied soil — and he’s already starting to feel like part of its foundation. The 12-track project is a bold, confident, and sharply curated collection that captures the essence of Morgan’s artistry: rugged yet refined, traditional yet fresh, heartfelt yet irresistibly radio-ready. Where many debuts can feel like a shot in the dark, Carolina Blue lands like a perfectly aimed arrow — precise, potent, and impossible to ignore. Morgan’s fingerprints are all over the record, and not just metaphorically. He co-wrote every single track, played every guitar part, and co-produced the album alongside acclaimed songwriter-producer Brent Anderson. In an era where collaboration often means handing over creative control, Morgan’s hands-on approach is a refreshing testament to both his talent and his vision. From the opening notes, Carolina Blue sets a tone of authenticity. Morgan’s voice — gritty, lived-in, and unmistakably Southern — is the kind that doesn't just sing a song; it tells a story. And his stories, whether about heartbreak, hope, or hometown roots, ring true because they come from a place of genuine lived experience. Among the many highlights, “One More Sunset” stands tall — a bittersweet meditation on loss and longing that showcases Morgan’s ability to channel deep emotion without veering into sentimentality. “How To Get Her,” meanwhile, is a masterclass in country songwriting, blending vivid imagery with a catchy, singalong-ready chorus that feels destined for summer playlists and wedding first dances alike. And then there’s “Kid Myself,” arguably the crown jewel of the record. Boasting what might be the most intoxicating hook of the year, the song is both a nod to youthful recklessness and a wink to who love love. It’s smart, it’s fun, and it’s an earworm in the best possible way. Yet what truly sets Carolina Blue apart is its cohesiveness. While each song stands strong on its own, together they form a vivid portrait of an artist who knows exactly who he is — and who he isn’t. Morgan doesn’t chase trends. He builds on tradition, weaving elements of classic country storytelling with a modern edge that feels effortless rather than calculated. Part of that authenticity comes from Morgan’s humble beginnings and relentless work ethic. Before stepping into the spotlight, he earned his stripes behind the scenes, penning songs for some of Nashville’s biggest names. That experience shows: there’s a craftsmanship to his writing that’s rare for a debut, a sense that every word and note was chosen with care. Still, for all its polish, Carolina Blue pulses with raw energy. It's an album made by someone who knows that the best country music isn't perfect — it’s real. That honesty, coupled with Morgan’s dynamic versatility, positions him as a rare double threat: both a seasoned songwriter and a compelling performer ready to command the country music stage. In a crowded landscape often more concerned with chasing fleeting trends than building lasting legacies, John Morgan is a welcome reminder that real artistry still matters. Carolina Blue isn’t just a promising debut — it’s a full-throated declaration that John Morgan isn’t here to blend in. He’s here to take over. And if this album is any indication, he’s well on his way.

Dylan Marlowe & Conner Smith - Country In The Clouds

In a move that delighted fans and stirred up buzz across social media, Dylan Marlowe and Conner Smith have officially teamed up for their heartfelt new single, "Country In The Clouds." After teasing the track individually—each hinting it might become their next solo release—the two rising stars cleverly turned to TikTok, posting a joint video that asked fans to help decide the song’s ultimate fate. The result? A full-fledged collaboration that captures both artists at their absolute best. Penned by an all-star team of Nashville talent—Marlowe himself alongside Brent Anderson, David Medlin, Jameson Rodgers, and Zach Abend—"Country In The Clouds" offers a thoughtful meditation on what heaven might look like through the eyes of someone who’s lived and loved deeply in the country. Marlowe and Smith imagine a version of the afterlife where the simple, sacred parts of rural life—front porch swings, sunsets, fishing holes, and endless fields—are waiting for them beyond the pearly gates. Despite its introspective theme, the track leans upbeat, buoyed by an infectious melody that lingers long after the first listen. Warm banjo, bright mandolin, and rich dobro lines weave through the production, masterfully handled by Abend and Joe Fox, giving the song a sun-kissed, rootsy glow. It's a sound that feels both nostalgic and refreshing—an earnest reminder that sometimes, country life offers a little glimpse of heaven here on Earth. For both Marlowe and Smith, "Country In The Clouds" marks a career-defining moment: a perfect blend of storytelling, musicianship, and heart. With its irresistible charm and universal message, it’s the kind of song destined to leave a lasting mark not just on the charts, but on the genre itself.

Tucker Wetmore - What Not To

Country music has a new star in its sights, and his name is Tucker Wetmore. With his debut album What Not To, the fast-rising sensation barrels into the spotlight, delivering a 19-track collection that’s already earning widespread praise from fans and critics alike — and for good reason. Produced by Chris LaCorte, What Not To is nothing short of a cannonball introduction — bold, relentless, and impossible to ignore. Wetmore co-wrote 11 of the album’s tracks, a testament to his authenticity and his grip on the kind of storytelling country music thrives on. If the sheer number of songs seems intimidating, don’t let it deter you; every note, lyric, and moment on this sprawling project proves its worth. Outfitted with everything from radio-ready anthems to raw, soul-baring ballads, What Not To is a vivid portrait of Wetmore’s 25 years — the highs, the lows, and the hard-earned lessons learned along the way. The album hits its stride early and never lets up, offering a refreshing mix of swagger, sensitivity, and substance.

Among the standouts is "Brunette," a clever, fast-paced breakup anthem that balances its foot-tapping energy with a layer of unexpected introspection. Meanwhile, fan-favorite "Drinkin' Boots" continues to win over crowds with its infectious spirit, and the emotional centerpiece "What Not To" — the track that lends the album its name — offers a powerful moment of reflection. In it, Wetmore admits he doesn’t have all the answers to being a better man, but he knows exactly what baggage he refuses to carry forward. Wetmore’s versatility shines across the project, with the late-night swagger of "Bad Luck Looks Good On Me" sitting comfortably alongside the slow-burning heartache of "Goodbye Whiskey." His ability to inhabit such a wide emotional landscape without losing the thread of who he is — earnest, self-aware, and electric — cements his arrival as one of country’s most exciting new voices. In a genre that constantly evolves but never forgets its roots, What Not To feels like both a nod to tradition and a bold step toward the future. With this debut, Tucker Wetmore doesn’t just enter the conversation — he demands a seat at the table, and it’s clear he’s here to stay.

Jake Worthington - It Ain't The Whiskey

Big Loud Texas standout and country traditionalist Jake Worthington is back, and he's bringing the kind of storytelling that would make the legends tip their hats. Worthington officially releases his long-anticipated new single, "It Ain't The Whiskey," a pure-country anthem packed with wit, heart, and that irresistible twang fans can't seem to get enough of. The song, which Worthington has been teasing across social media for months, already boasts over 25 million pre-release listens — a testament to just how deeply his blend of traditional sounds and everyday storytelling resonates with modern listeners. On "It Ain't The Whiskey," Worthington recounts a tongue-in-cheek run-in with the law, spinning a relatable tale that feels straight out of a smoky honky-tonk or a late-night backroad. With a wink and a grin, he sings: "Last night we's headed home 'bout a quarter 'til ten / I guess I swerved just a little where the road didn't bend / I didn't see the law but the law saw me / I heard, 'I represent the state of Tennessee.'”

It's a classic country setup — a little trouble, a lot of charm, and a melody built for two-stepping across a dusty dance floor. Produced with a stripped-down, back-to-basics approach, "It Ain't The Whiskey" feels both timeless and fresh. It's another proud notch in Worthington’s belt as he continues to carve out a space for traditional country music in today’s ever-evolving landscape. For fans craving authenticity, a sly sense of humor, and a steel guitar crying just right, Jake Worthington’s latest is more than just a new song — it’s a reminder that true country music is alive and well. And if Jake has anything to say about it, it’ll be kicking up dust for a long time to come. Jake is making George and Merle proud, one toe-tapper at a time.

Ashley Monroe - "The Touch" (ft. Marty Stuart)

In a year already brimming with standout releases, Ashley Monroe’s latest single, “The Touch,” emerges like a slow-burning flame—irresistible, intimate, and timeless. Featuring the legendary Marty Stuart and the acclaimed Shelby Lynne, the song feels less like a new release and more like stepping into a sepia-toned time machine bound straight for the golden days of country’s queens—Patsy Cline and Loretta Lynn. Monroe, who has long blurred the lines between modern songwriting and classic sensibility, leans fully into nostalgia here without ever sounding derivative. “The Touch” is pure emotional alchemy: Stuart’s dreamy, delicate riff winds its way through the verses like a whispered secret, while Lynne’s bass adds a warm, grounded pulse. Together, their contributions create a soundscape that’s smoldering but never hurried—seductive but heartbreakingly sincere. Monroe’s vocal performance is, as always, a masterclass in restraint and emotion. Her voice shimmers with vulnerability, capturing the ache of longing in a way that few singers today can. There’s a certain daring in releasing a song like this in the current musical landscape, where faster, louder productions often dominate. But that’s exactly what makes “The Touch” so striking—it’s a reminder of the power of simplicity, intimacy, and genuine feeling. Marty Stuart’s signature touch, steeped in deep country tradition, pairs perfectly with Monroe’s haunting delivery. His guitar work acts almost like a second voice, weaving around Monroe’s phrasing with a sense of history and reverence. Shelby Lynne’s bass underpins the entire track with a rich, almost bluesy groove that keeps the song grounded even as it floats toward the stars. With “The Touch,” Monroe invites listeners to slow down and feel every word, every note, every ache. It’s a rare feat these days, and yet she makes it look—and sound—effortless. For fans yearning for a taste of classic country magic with a fresh, soulful twist, “The Touch” is a masterful reminder that some traditions are too powerful, and too beautiful, ever to fade away.

Cody Lohden - Tail Light, Porch Light, Miller Lite

DeVille Records' newest rising star, Cody Lohden, has officially arrived — and he’s coming in strong with the release of his debut single, "Tail Light, Porch Light, Miller Lite." In a genre that lives and dies on the strength of storytelling, Lohden proves he’s a natural, flipping the familiar heartbreak script into something freshly gripping. Backed by a production team that reads like a who’s-who of Nashville tastemakers — Jacob Durrett and chart-topping artist/producer ERNEST — Lohden's first release isn't just a song; it’s a statement. At its core, "Tail Light, Porch Light, Miller Lite" is built around a simple yet powerfully effective cycle of imagery: "Tail light, porch light, Miller Lite, gone / Sitting right here while she's riding off / Cold beer toast to a cold goodbye." It’s a clever framing device that immediately sinks its hooks in. The line captures the sting of watching someone walk out of your life, distilled into three vivid snapshots: the car pulling away, the house left behind, and the beer cracked open in the aftermath. But it’s Lohden's delivery that seals the deal. His voice — a raspy, wounded buzz that feels equal parts gritty and vulnerable — gives every word a bruised authenticity. You don't just hear his heartbreak; you feel it. It’s a vocal texture that’s hard to fake and even harder to forget. Written alongside Matt Mulhare and Dallas Wilson, "Tail Light, Porch Light, Miller Lite" is steeped in relatable emotion, yet it never slips into cliché. Instead, the trio pens a song that’s sharp, grounded, and deeply human — the kind of track that feels just as comfortable pumping through car speakers on a back road as it does echoing off the walls of an empty kitchen late at night. The production further elevates the song, blending a steady groove with subtle flourishes that give Lohden plenty of room to shine. Durrett and ERNEST keep the arrangement tight and dynamic, leaning into modern country textures without losing the worn-in heartache that fans of the genre crave. It's a balancing act few can pull off — polished but never overproduced, raw but still radio-ready. For a debut single, it’s an astonishingly confident first step. And it’s already fueling whispers in Nashville that Lohden might just be the Best New Artist to watch this year. With a voice that's instantly recognizable and a style that feels both classic and cutting-edge, Cody Lohden is carving out a lane all his own. While "Tail Light, Porch Light, Miller Lite" may center around a goodbye, it feels like the beginning of a long, promising career.

The Vegabonds - Where Do You Have To Be Tomorrow

The Vegabonds, an independent southern rock band with a knack for crafting the perfect sound to match a sunny day, have just dropped a new single that’s bound to hit the sweet spot for fans of timeless rock tunes. “Where Do You Have To Be Tomorrow” is the kind of track you’ll want playing through your speakers as the breeze flows through your car windows on a warm summer drive. At just 3:27, the song wraps itself around you like the feeling of freedom that only a summer afternoon can offer. From the very first note, you’ll feel like you’re floating down a highway, wind tousling your hair, with the world ahead of you. The Vegabonds mix the timeless energy of classic rock with a modern authenticity that is all their own. With this track, they’ve captured a sound that echoes the spirit of Tom Petty’s effortless cool and The Eagles' harmonious charm, but still holds its own with an undeniable freshness. One of the most striking aspects of “Where Do You Have To Be Tomorrow” is the band’s commitment to real, organic instruments. In an age where overproduced sounds often dominate the airwaves, The Vegabonds remind us that nothing beats the soulful resonance of genuine guitars, drums, and vocals. The blend of acoustic strumming, mellow electric riffs, and steady percussion gives the song a laid-back yet vibrant quality that makes it impossible not to tap your foot along. Lyrically, “Where Do You Have To Be Tomorrow” poses a simple yet profound question, inviting listeners to reflect on the idea of living in the moment. The song is about the beauty of finding joy in the little things and the freedom of not always needing a destination. In a way, it’s a reminder that sometimes, the journey itself is all we need. Whether you’re a fan of southern rock, classic Americana, or just good music that makes you feel something, this track is a breath of fresh air. The Vegabonds have once again proven their ability to blend the rich traditions of rock ‘n’ roll with a new generation’s sense of adventure and fun. And if there’s one thing we can be sure of, it’s that this song will be in heavy rotation during those warm, carefree days of summer.

With “Where Do You Have To Be Tomorrow,” The Vegabonds have delivered more than just a song – they’ve given us a soundtrack for living in the now, and it’s one we’ll be playing on repeat for weeks to come.

Lukas Nelson - Pretty Much 

In a world where love songs often tread familiar ground, Lukas Nelson has crafted a melody that both encapsulates the raw beauty of spontaneous affection and reaffirms his place as one of country music’s most authentic voices. His new single, "Pretty Much," is more than just a love song; it’s a reflection of moments that define who we are, moments that feel like destiny. It’s the kind of track that lingers in the mind, a perfect blend of storytelling and musicality that seems to pull the listener in with each verse. The song begins with a sense of quiet reflection, as Nelson walks listeners down a “dirt road winding rocky lines,” among towering pines, where vulnerability and freedom meet. It’s in this space where he finds his voice and, ultimately, himself. The lyrics are unpretentious but intimate, as he shares a moment of honesty with the one he loves. “I need to take my time,” he confides, but she, effortlessly, responds, “I just read your mind.” That connection, that instant understanding, sets the stage for what is, in essence, a love story told through the lens of personal discovery and mutual respect. Nelson captures the magic of that first moment when love blooms, stating, "I pretty much fell in love right then / Never had a doubt again." It's a line that resonates deeply, reminding us of those fleeting, yet powerful experiences that can alter the course of our lives. As the song unfolds, the narrative deepens. The protagonist's love interest, with her steel-toed boots and roots that call her back to the simple life, pulls him into a world far removed from the city. The decision to leave behind the chaos of modern life and return to what matters — the land, the people, the freedom — is a theme that plays beautifully against the song's acoustic instrumentation. The imagery of tossing her phone into a “winter water pool” feels like a symbolic moment, where the distractions of the world fade away, and love, in its purest form, takes center stage. Ultimately, "Pretty Much" is a love letter to the small but significant moments that shape us. From the dirt roads to the winter water pools, to the decision to leave the city behind — it's the kind of song that makes you reflect on your own experiences and ask yourself when you, too, “pretty much fell in love.” It’s a timeless track that proves Lukas Nelson is, without question, one of the most gifted songwriters and performers of his generation.

Whiskey Myers - Time Bomb

Whiskey Myers is back, and with their latest single, “Time Bomb”, they’ve delivered yet another blast of the band’s signature sound—raw, relentless, and impossible to ignore. It’s a track that bursts with the kind of fiery intensity that’s become synonymous with the East Texas band. This is Whiskey Myers at full throttle—part Texas grit, part hard-edged rock, with a guitar line that demands to be cranked up loud, preferably at a live show where the crowd can feel every beat. "Time Bomb" sets the stage for something explosive, drawing listeners into a world of internal turmoil, heavy beats, and the constant pressure of existence. The song’s opening lines ask a simple, yet profound question: "Is it all a fever dream?" It’s a sentiment that resonates with anyone who has felt lost in the noise of life, the weight of expectations, and the slow burn of impending chaos. Whiskey Myers taps into that restless energy, exploring the fine line between reality and illusion as they dive deep into a headspace on the verge of bursting. The musical arrangement is just as intense. “Time Bomb” is driven by a thumping rhythm and a relentless guitar line that builds to a fever pitch, pulling you into the track with a raw energy that’s perfect for the stadiums where the band has always thrived. Cannon’s gravelly vocals are layered with a kick drum that drowns everything else, emphasizing the visceral nature of the song’s theme—waiting for that inevitable moment of detonation. As Whiskey Myers continues to carve out their place in country and southern rock, "Time Bomb" is a powerful testament to their evolution. The track is a perfect blend of their trademark southern roots and their growing affinity for rock-infused energy, capturing the emotional intensity that has always set the band apart. It’s a song that begs to be heard live, with the kind of raw energy that can only be fully experienced in a crowded arena, with sweat, sound, and a sea of fans shouting along to every word. In a world where it often feels like we're all just ticking time bombs, Whiskey Myers has given us an anthem for those who are ready to let the pressure build until it can’t be contained any longer.