Nine Country Music Songs You Need To Hear This Week Feat Noah Hicks, Bayker Blankenship, Jack Wharff & The Tobacco Flatts And More

Noah Hicks - Door's Unlocked

Noah Hicks delivers yet another slice of small-town honesty with his latest track, "Door's Unlocked." Co-written with country hitmakers Paul DiGiovanni, Jeremy Stover, and Cole Taylor, the song radiates charm with its casual vulnerability. Hicks paints a vivid picture of a guy whose heart is still open—just like his front door. It's a clever metaphor wrapped in the kind of easy-going storytelling that has quickly become his signature. Set against the backdrop of a tight-knit town where trust isn’t just a virtue but a way of life, Hicks blends sincerity with subtle swagger. The electric guitar work is a standout here, mirroring the emotional tug-of-war between playing it cool and putting it all on the line. The riffs weave in and out, balancing the heartfelt lyrics with just the right amount of edge. Why is “Door's Unlocked" a winner? It isn’t just its relatability; it’s the way Hicks leans into his laid-back authenticity without trying too hard. The production adds a touch of polish but never overshadows the raw, down-home vibe that makes the track shine. This isn’t about grand gestures or over-the-top declarations—it’s an invitation to connection, delivered with the kind of earnestness that feels both modern and timeless. Hicks’ easy charm and ability to turn everyday life into memorable hooks are on full display here. If "Door's Unlocked" is any indication, Noah Hicks isn’t just keeping the door open for his ex—he’s opening it wide for a bright future in country music.

Jack Wharff & The Tobacco Flatts - Messed Up Kid

Rising country-bluegrass band Jack Wharff & The Tobacco Flatts have taken Tyler Childers’ beloved “Messed Up Kid” and given it a rowdy, electrified makeover that demands to be heard. This rendition doesn’t just honor Childers’ original; it puts a whiskey-soaked, toe-tapping stamp on it, blending reverence with a fresh burst of personality. Wharff and his bandmates have transformed the wistful ballad into an anthem of unrestrained youthful energy. The story of infatuation with a wild, rebellious girl becomes a ride, punctuated by Evan Novoa’s fiery guitar licks, Ryan Atchison’s funk-kissed bassline, and Garrett Howell’s explosive drumming. The band brings a free sense of fun to the track, perfectly mirroring the chaotic charm of the girl at its core. Jack Wharff’s vocal delivery—gritty and unapologetically twangy—feels like the narrator himself is chasing the wind, trying to keep up with his untamed muse. It’s raw, it’s real, and it’s utterly infectious. While some covers tread cautiously, Jack Wharff & The Tobacco Flatts charge headfirst into this Childers classic, turning it into a celebration of youthful rebellion and the irresistible pull of trouble. Their rendition is proof that paying homage doesn’t mean playing it safe—and we’re all the better for it. Jack Wharff & The Tobacco Flatts have taken a well-loved song and turned it into a rallying cry for those who love their country music with a side of unpredictability. Whether you’re a die-hard Childers fan or a newcomer to the world of Wharff, one thing is certain: this version will have you hitting repeat.

Bayker Blankenship - Blame It On Me

Country music has long thrived on raw honesty and heartfelt storytelling, and Bayker Blankenship's latest single, "Blame It On Me", is a masterclass in both. Written alongside producer Brett Truitt, this track captures the poignant self-awareness of a narrator owning up to his role in the unraveling of a relationship. Blankenship's gravelly vocals, straight out of Livingston, TN, carry the weight of every regret, apology, and bittersweet realization in the song. His delivery is so authentic, it feels less like you're listening to a recording and more like he's telling you his story over a cup of black coffee.

The production is as down home as it gets, blending a warm, acoustic base with the sweet, wistful hum of a harmonica. It’s a sonic landscape that feels like an old, comforting friend—a perfect complement to the song's introspective lyrics.  But what makes the song truly special is its balance: the vulnerability in the lyrics doesn’t wallow; it reflects. The harmonica doesn’t overpower; it enhances. And Blankenship’s signature gravel isn’t just a voice—it’s a storyteller’s tool, grounding every line in authenticity. This song is more than just a standout track; it’s a reminder that country music’s roots run deep in storytelling and soul. With "Blame It On Me", Bayker proves he's not just singing—he’s making listeners feel every word. Whether you're nursing your own heartache or just craving a song that feels like home, this one’s a must-listen.

JoJo Disalvo - Ain’t No Johnny Cash

Move over, pretenders—JoJo DiSalvo is here to remind us what country music really feels like. With his viral hit “Ain’t No Johnny Cash,” the West Texas native channels a rugged charm and undeniable swagger, crafting an anthem that pays homage to traditional country roots while carving out his own space in the genre. From the opening line, “I like good old-fashioned country music, something with a beat,” DiSalvo’s deep baritone draws listeners into a world of lean mean women, bonfires under mountain skies, and a heart weighed down by loss and rebellion. It’s a clever cocktail of nostalgia and grit, echoing the legends who paved the way while giving a playful wink to modern sensibilities. DiSalvo’s lyrics skillfully weave wit and tragedy, anchored by the clever hook: “I play country music, but I ain’t no Johnny Cash.” The line works double-time as both a nod to the genre’s ultimate outlaw and a declaration of individuality. In true storytelling fashion, he paints a picture of a man who lives on the edge—haunted by heartbreak, torn between sin and salvation, and unapologetically raw. But it’s not all darkness. “Ain’t No Johnny Cash” is a toe-tapper that refuses to let go. The infectious rhythm, twangy guitars, and a driving beat make it impossible not to move along. It’s as if DiSalvo bottled up the dusty spirit of a honky-tonk dance floor and poured it straight into your speakers. The song’s energy is reminiscent of Gabriella Rose’s “Doublewide,” but DiSalvo’s Texas grit ensures it stands on its own. JoJo DiSalvo isn’t just singing about country music—he’s living it. His sound pulls from a well of influences like Bob Wills and Waylon Jennings, but it’s filtered through his own voice, one that feels both classic and current. He’s not trying to be Johnny Cash, and that’s the beauty of it. He’s JoJo DiSalvo, and this song makes sure you won’t forget it.

Payton Smith Feat. Jameson Rodgers Camouflage Town(Camp Version)

Payton Smith and Jameson Rodgers take "Camouflage Town" back to its roots with the Camp Version, proving that sometimes, less is undeniably more. Stripped of its studio sheen, this acoustic reimagining brings out the raw, emotive power of the song and highlights the authenticity that lies at its core. Smith and Rodgers trade verses with effortless charm, their voices intertwining in harmony as naturally as a Friday night bonfire blends into a small-town sky. Rodgers, one of the song's original co-writers, brings a deep connection to the lyrics, while Smith’s rich tone adds a fresh dimension. The two strike the perfect balance of playful camaraderie and heartfelt storytelling, making the duet feel like a conversation between old friends. The lyrics of "Camouflage Town" paint a vivid portrait of rural pride, transforming everyday symbols—jackets, Koozies, truck stickers—into emblems of a tight-knit lifestyle. The acoustic arrangement amplifies this intimacy, stripping back the layers to let the song's message of small-town resilience take center stage. It's a reminder that even places “not on the map” hold an unmistakable identity worth celebrating. This campfire rendition isn’t just fun; it’s deeply resonant. Smith and Rodgers’ shared energy makes the song feel like a love letter to the unassuming, camouflaged communities that shape so many lives. It’s rare for an acoustic version to hit harder than the original, but "Camouflage Town (Camp Version)" does just that, proving that the power of a song lies not in its production but in its heart. The song is a down-home duet that swaps polish for passion, and in doing so, shines even brighter.

Evan Honer - annabelle EP

In a year that has already catapulted him to the forefront of the country music scene, Nashville-based artist Evan Honer closes 2024 on a high note with the release of his third project in just seven months, the EP annabelle. The collection of five fresh tracks not only cements Honer’s place as one of the genre’s most exciting new voices but also showcases his unparalleled ability to tell deeply personal, relatable stories through music. At its core, annabelle is a celebration of vulnerability, growth, and artistry. From the wistful yearning of “me, without you” to the introspective storytelling in “high school reunion,” each track delves into Honer’s personal experiences and emotions, painting vivid pictures for listeners. The EP’s follow-up single, “lead role,” stands out as a testament to Honer’s lyrical prowess, offering a poignant reflection on identity and self-worth. Guided by a voice that feels both familiar and refreshingly unique, Honer’s music invites listeners to pull up a chair and lose themselves in his stories. What makes annabelle remarkable isn’t just its lyrical depth but its cohesive narrative structure. Each track feels like a chapter in a best-selling novel, with themes and emotions interwoven seamlessly. It’s the kind of EP that demands a start-to-finish listen, rewarding fans with layers of meaning and new insights with every playthrough. Honer’s prolific output in 2024—three releases in less than a year—highlights his dedication and passion for his craft. For those who have followed Honer’s meteoric rise, annabelle is both a reward and a promise of what’s to come. And for newcomers, it’s the perfect introduction to an artist whose talent and storytelling will undoubtedly define the next chapter of country music. So, take the challenge: sit down, press play, and let annabelle unfold. You’ll find yourself captivated by a voice and vision that feel destined for greatness.

Belles - Trust Issues 

Kelli Belles’ new single, “Trust Issues,” is a masterclass in vulnerability wrapped in a melody that sticks with you long after the final chord fades. Co-written with Nell Maynard and Cassidy Best and brought to life under the skilled production of Sam Grow, the track dives fearlessly into the messy, complicated emotions that arise when love meets insecurity. With a voice rich in character and depth, Belles turns this introspective ballad into a soaring testament to her artistry—and a milestone moment in her burgeoning career. From the opening notes, “Trust Issues” sets an evocative tone, blending stripped-back instrumentation with a polished production that never overpowers the heart of the song: the lyrics. Belles opens a window into the soul of someone haunted by the ghosts of past relationships, navigating the waters of self-doubt and the struggle to believe in a love that seems too good to be true. Sam Grow’s production is the perfect partner to Belles’ vocal performance, creating a soundscape that supports the story without distracting from it. This is a song that knows when to pull back and when to let go, giving Belles room to shine. And shine she does. Her voice carries a deep, soulful personality that’s impossible to ignore, walking the line between strength and fragility with precision. Kelli Belles has always been a promising artist, but “Trust Issues” feels like the moment she breaks through to the next level. It’s a song that not only showcases her talent but also positions her as a voice capable of capturing the nuances of life and love in a way that resonates deeply. If this is a sign of what’s to come, Belles’ career is poised to soar, and her name will soon be as familiar as the emotions her music so effortlessly evokes.

Tommy Acker - “It Ain’t You, It’s Me” 

Let’s get one thing straight: Tommy Acker doesn’t just sing a song—he tells a story that sticks with you long after the music fades. From the very first strum of the opening guitar chords, “It Ain’t You, It’s Me” grabs your attention and refuses to let go. It’s the kind of intro that makes your ears perk up, intrigued by what might come next. Taking on the age-old breakup phrase, Acker doesn’t settle for cliché. Instead, he twists it into something refreshingly authentic, painting a narrative that’s as unexpected as it is emotionally resonant. His delivery feels like a private confession—raw, tender, and deeply human. Clocking in at just 3 minutes and 19 seconds, the track is a masterclass in storytelling. Acker’s voice is the kind of tender instrument that feels like it’s speaking directly to you. It’s packed with an understated emotion that’s impossible to ignore, gliding over a melody that’s as heartfelt as the lyrics themselves. “It Ain’t You, It’s Me” is more than just a breakup song—it’s a poignant reflection on self-awareness and accountability, wrapped in a tune you’ll want to replay. Do yourself a favor and take the time to listen. Trust us, you’ll be better for it.

Charlie McCabe’s - Not A Cowboy

Charlie McCabe’s “Not A Cowboy” is a tender, tongue-in-cheek ballad that takes the iconic country trope of the rugged cowboy and flips it on its head. With a voice steeped in sincerity and subtle emotion, McCabe delivers a performance that feels refreshingly genuine and deeply relatable. From the opening lines, it’s clear this isn’t your typical country song. McCabe trades the stereotype for something far more vulnerable: a man who doesn’t wear spurs but knows how to twirl his partner across a dance floor. The chorus, with its clever repetition of “Just cause I’m not a cowboy,” is both a plea and a cheeky nod to the listener, challenging the idea that love and loyalty need to come wrapped in a Stetson. The lyricism is deceptively simple but cuts straight to the heart. Lines like, “I’m all hat, no cattle / All jeans, no saddle / But girl, I can love you right” showcase McCabe’s knack for balancing humor with genuine emotion. It’s a rare feat to make listeners smile and sigh all at once, but McCabe does it with ease. “Not A Cowboy” is an anthem for every guy who’s ever felt out of place in a world of stereotypes—and for every listener who’s fallen for someone who doesn’t quite fit the mold. McCabe proves that while he might not be the Wild West hero, he’s the kind of romantic every dance floor deserves. This track is a must-add to your playlist if you’re looking for a love song that’s as clever as it is heartfelt.